Posts tagged with Q&A
You can’t really do this. Mobile is not designed as a laptop replacement for travelling. But did you know dragging and dropping into a browser window uploads photos to Adobe’s cloud?
How can a friend or client review and comment on a shared LrWeb collection if they don’t have an Adobe account? It’s possible, by setting up a dummy account.
Why does the second copy upon import go into a folder called “Imported on November-11-13” and not into a folder named to match the folder on the hard disk that was set as the Destination for the import?
Is it possible to stop Lightroom from re-sorting keywords alphabetically?
Is it better to uncheck the box that says “store presets with catalog”
Should I save as PSD or TIF?
TIF. There are no quality differences, and there’s almost nothing that a PSD can do that a TIF can’t do just as well, just obscure things like saving Duotone mode images (hat tip Victoria Bampton). In the long run it’s important to save your Photoshop work in a non-proprietary file format like TIF that’s much more likely to be readable in other programs, because over the years you will try or even switch to other programs.
Coincidentally, a good example of this need for long term thinking has just popped up. Capture One 7 has . . .
Can you share Lightroom catalogues over Adobe’s Creative Cloud?
How do I update a Photoshop smart object with changes Lightroom has made to the raw file?
In Lightroom, go to the original raw file and make the adjustments. Then either:
Edit as Smart Object, sending a new file to PS with the raw edits. Open your existing TIF file in PS, and drag this new file’s smart object layer into the TIF document and delete the old smart object layer. You can now discard the new file.
Ctrl S / Cmd S to save the edits back to the original raw file. Open your existing TIF file in PS, right click the . . .
Can you upload files by FTP directly from within Lightroom?
Q I just upgraded to Lightroom 4 and something happened with my flags in collections: they are gone! Where the xxxx are they?
A Well, they are not completely gone. But they are very hidden indeed.
As background, in Lightroom versions 1-3 the Pick and Reject flags were local to the folder or collection of pictures. So in one collection of pictures you could mark an image as a Pick, while in another collection it could be marked as a Reject. While many found this useful, many found it unnecessary and confusing – and I think it’s important to acknowledge both sides . . .
I had to get a new Mac laptop for Lightroom 4 and chose a MacBook Air. What do I think?
Q Best practice for moving images from LR3 to 4?
QIs there a way to move stacks of images into a collection and have those stacks retain their original stacking “formation”/order?
ADrag a folder and drop it in the Collections panel. LR4 creates a new collection with stacking which matches the folder.
There’s been no change to LR’s handling of custom XMP since version 1 – I’d characterise it as “preserving” custom XMP data.
So LR does read the data from imported files and stores it in a database field. It never displays the information and it isn’t editable even through the SDK. But at least Lightroom doesn’t do any damage. When you save metadata back to the original files (sidecars or directly into the file) it does not overwrite any custom XMP it encounters, and it does write the custom XMP to any exported files.
It is possible to use a plug-in that . . .
Does the order of steps in the History panel make any difference to the end result?
The answer is an emphatic No. Lightroom edits do not build on one another – the current slider values in the right hand panel are all that matters.
If you don’t quite believe this, save the edits back to xmp and remove the image from the catalogue. Reimport it and there’ll be no History – but the image will look identical to before.
The History panel is more like a log of what you’ve done – an audit trail – and I’ve long thought Adobe could have . . .
What’s your workflow to Nik software?
If you own Lightroom and Photoshop, Photoshop “smart objects” are the best way to use Nik apps.
The workflow is easy. Do all your corrections in LR then select the image, right click and choose Edit In > Open as Smart Object in Photoshop. Then in Photoshop select the smart object in the Layers Palette (F7), invoke Silver Efex, and afterwards save as a TIF.
Why is this?
Send to Photoshop as a smart object avoids baking in the raw conversion adjustments
Smart objects means the Silver Efex work remains editable as a smart filter
TIF because non-proprietary and there’s . . .
Unless you’ve a good reason, I would always choose Open as Smart Object. Good reasons might be you’re running out of hard drive space, or you have an earlier version of Photoshop than your version of Lightroom.
OK, now why? I tend to assume there’s a fair chance you’ll want to fine tune the raw conversion at some stage in the future. For example, a new version of Camera Raw may have better noise reduction and you may want to rework the picture. Alternatively, you may have overlooked some dust spots and prefer to correct them at the raw level rather . . .
It might, but I wouldn’t bet on it. I know “modal” is a loaded word in Mac-land, but these are “modules” and more akin to the workspaces you see in Photoshop than they are to nasty unMaclike modality. They’re dedicated to tasks like adjusting or organising, and help you focus on the task in hand rather than flipping between adjusting images and entering metadata. The key to getting over the modal hangup is to learn just a few keyboard shortcuts – E G D R Q W . There are lots more, but those combine important functions with moving between . . .
Activate the Spot Healing brush and then in the toolbar below the image choose “Auto”. This means that when the cursor is over the image, the circles will display. When you move the cursor out of the image area, they won’t.
Lightroom’s Develop History panel is a log of all the work done on an image but it’s never written to xmp because:
To hide it from prying eyes. If you send files to a client, the edit history can disclose your clever methods or your time-wasting incompetence to the client
LR’s history data is of no use in any other existing application and xmp is as much about data interchange as it is about backup or moving work from A to B
There’s also a desire not to bloat the sidecars with what is merely a log.
Had Adobe included history, there would have . . .