Lightroom is not Photoshop, which often provides many ways to achieve the same end result. While choice is deemed good, it’s actually hard to distinguish newer, better Photoshop methods from the out-of-date techniques they have replaced. For instance, when I last counted I found around 20 methods to make pictures black and white. Which is best? In that case I could tell you, but often with Photoshop you have to agree to disagree with a “your mileage may vary”, “whatever works for you”, “different strokes for different folks” or whatever.
Lightroom is different. It is intended for a narrowly-defined range of tasks and is designed so that there is often only one right way to do a certain job. When it does happen to offer more than one route – for instance, 3 ways to make pictures B&W – there is still only one right approach.
These articles are opinion pieces and I do phrase them a little controversially to shake you out of that Photoshop mindset. Even if you ultimately disagree with what I suggest, I hope they help you see for yourself the best way to work.
This is a technique for managing your workflow with a system of smart collections (sample catalogue included)
Moving your workflow from Aperture to Lightroom is not difficult, and it doesn't mean losing all the keywords and other metadata you've entered in Aperture. It just requires a little bit of thought and care. Where do you begin?
I'd read Scott Bourne's and Scott Kelby's similar articles of Things To Tell New Lightroom Users and I thought a top 10 was a good way to structure some thoughts on getting started with Lightroom.
Until you really know what you're doing, you should only use one Lightroom catalogue. But even then, why fragment control of your workflow?
There are ways to use more than one catalogue, but each has disadvantages. First be sure you know what you're doing.
What Lightroom features do you show a group of photographers - including existing Lightroom users - when you're allowed just 20 minutes?
Without being too fancy about it, my goal is “the maximum number of relevant keywords in the time I think it’s worth spending” – which is intentionally a pretty elastic phrase – and I’ll do it in 3 passes.
Lightroom's star ratings are for your long-term evaluation of a picture's quality, flags for much more temporary pick/reject decisions, and labels are for whatever makes sense to you.
One trick to working at speed with Lightroom is to know a few essential keyboard shortcuts. But a command that’s essential to one user is something that another person might never require!