Posts tagged with Smart objects

Photoshop smart objects

How do I update a Photoshop smart object with changes Lightroom has made to the raw file?

In Lightroom, go to the original raw file and make the adjustments. Then either:

Edit as Smart Object, sending a new file to PS with the raw edits. Open your existing TIF fileĀ  in PS, and drag this new file’s smart object layer into the TIF document and delete the old smart object layer. You can now discard the new file.
Ctrl S / Cmd S to save the edits back to the original raw file. Open your existing TIF fileĀ  in PS, right click the . . .

What’s your workflow to Nik software?

What’s your workflow to Nik software?

If you own Lightroom and Photoshop, Photoshop “smart objects” are the best way to use Nik apps.

The workflow is easy. Do all your corrections in LR then select the image, right click and choose Edit In > Open as Smart Object in Photoshop. Then in Photoshop select the smart object in the Layers Palette (F7), invoke Silver Efex, and afterwards save as a TIF.

Why is this?

Send to Photoshop as a smart object avoids baking in the raw conversion adjustments
Smart objects means the Silver Efex work remains editable as a smart filter
TIF because non-proprietary and there’s . . .

“Edit in” or “Open as Smart Object” in Photoshop?

Unless you’ve a good reason, I would always choose Open as Smart Object. Good reasons might be you’re running out of hard drive space, or you have an earlier version of Photoshop than your version of Lightroom.

OK, now why? I tend to assume there’s a fair chance you’ll want to fine tune the raw conversion at some stage in the future. For example, a new version of Camera Raw may have better noise reduction and you may want to rework the picture. Alternatively, you may have overlooked some dust spots and prefer to correct them at the raw level rather . . .

Silver Efex Pro 2

I’ve never been one who photographs in colour and occasionally dabbles with black and white. It’s very much the other way round, and I often look at pictures I’ve left in colour and think they’re rather monochrome anyway. But I’ve never seen doing a lot of b&w work as a reason why I would want to buy Nik’s Silver Efex Pro (SEP) or any of the other dedicated black and white plug-ins that it has now overshadowed. It’s not that I felt SEP1 deficient in any way – quite the contrary. SEP1 was a very polished piece of software, produced . . .